Wednesday, December 30, 2009

Private Assignment 004- twin bracelet (completed)

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twin bracelet2
Finally after all the hardwork, the twin bracelet's done! Unfortunately I've made a slight mis-calculation due to the shrinkage process. But I've tried it on my right wrist, it fits. So I'm crossing my fingers, hoping that it will fit the wearer. BTW if you've noticed, I'm debuting a new packaging design for Little Li Jewelry. Thanks to Ms P for the tips : )


jac pendent1
jac pendent2
My cousin Jacqueline really like this pendent which I've designed, so I decided to let her have it as her birthday present : )

Friday, December 25, 2009

Private Assignment 004 - twin bracelet

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In the making....

PS : It's been wonderful, being able to work in midst of nature without worry about messing up. I like my new "open" workshop!

Monday, December 14, 2009

Little Li's back!

jewelry desk
I've finally managed to set up my jewelry desk at my new place. Everything's in place except my $2.5K handmade pendent! I hope I didn't loose it during the move......so sad : (

Sunday, November 15, 2009

Ouch!!! This pendent cost $2.5K!

necklace
Finally, the ultimate pendent is completed. It's truly hard labour but handmade out of pure joy and passion. Total production time : 5 intensive saturdays, working 8 hours straight on this precious pendent (40 hours). This pendent is designed to be worn on either sides pairing with either a long or short silver chain. It's handmade in silver and bronze with a circular stone-disk and natural pearl.

Hence I was joking with my classmates that this ultimate pendent cost $2.5K since that's the exact the price I've paid for my silver-smithing course. Although for consolation, I get to bring home with a work-bench, a flexi-shaft and some tools : )

Sunday, November 8, 2009

Little Li's a jewelry artist?

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Above : The Bollinger Jewellery Gallery at Victoria & Albert Museum by Eva Jiricna Architects 291008

From day one, I know I'm not crazy about mass-producing my jewelry pieces. My wild thoughts will be to treat Little Li's jewelry like a wearable art. Hence they'll be available only in very limited quantity or even a unique piece of it's own. Like I've said it's a very idealist thought and I'm not sure if it will work.

But recently I've found this interesting tips from www.associatedcontent.com which teaches you how to market yourself as a jewelry artist. Hmmm......maybe it's workable with blessing from God?

Here's the tips from the website...
1. Offer your jewelry designs in limited quantities
Instead of making thirty of a particular piece and flooding the market with it, try making only a select few and offer them at a higher price. It's the simple law of supply and demand at work. When your potential customer sees you only have a few of a certain item, they believe the jewelry item to be more desirable and sense they had better purchase it while they have the opportunity.. Artists rarely paint multiples of a particular piece of art which allows them to command high prices for their creative efforts.

2. Consider signing your jewelry pieces
This one small change can elevate the customer's perception of your jewelry designs significantly. Customers know that truly original works of art are signed by the artists and will perceive your jewelry to be in that category. Many jewelry artists sign their pieces report a big jump in sales. Again, a signed piece is thought to be more on-of-a-kind which increases its value in the customer's eyes.

3. Give your jewelry designs an identity
Another way to increase perceived value is to give your jewelry designs names. You can also design a collection of jewelry with a particular theme and promote it by name. For example, the seaside series. Let people know in your literature that each collection is limited edition and you'll vastly increase the interest in your jewelry pieces.
(I would think it would be nice to have collection names)

4. Stop using mass produced findings
Nothing suggests mass produced jewelry more than the use of common findings such as plain fishhooks on earrings and ordinary lobster claw and toggle clasps on necklaces. It' might be worth your effort to have a distinctive toggle clasp designed for your necklaces and reproduced by a casting company.This will give even an ordinary necklace a look that can't be replicated.

5. Display your items in an artistic manner
Don't display your jewelry on commercial display units. Design a unique display that really plays up your jewelry line. Use sleek, contemporary artistic props such as granite, stone, sand, polished rocks or elegant, high end fabrics. If you're going to promote yourself as a jewelry artist, your display needs to be elegant and slightly understated. Have you ever seen a cluttered museum? Don't overcrowd your displays.
(Oooh...we need those wonderful looking display glass shelves)

6. Promote yourself as an artist
In your promotional literature, describe yourself as a jewelry artist. If you've had any formal training, discuss this in your brochure. Have you won any awards? Let the public know about them. This increases your credibility as a jewelry designer and an artist.
(hmmm....wonder if my awards from publication will help???)

7. Use only high quality materials
Be meticulous in the selection of materials you use in your jewelry. You want to be perceived as offering only the best if you're going to be thought of as a jewelry artist. Add some unusual components to your designs that can't be easily found.

Sounds so ideal!!! Wonder if there'll be enough dough to feed myself...: p

Saturday, November 7, 2009

Work-in-progress...

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Slight modification of my design : )

Saturday, October 31, 2009

Traditional Silversmithing Course...

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After mastering silver clay, I've enrolled into another JDMIS module : silversmithing (Total of 5 lessons). It's not as easy as silver clay classes whereby I'm able to make a new item after each class.

Here in silversmithing, it's almost a muscle training course. From 10am-6pm (except for the one hour's lunch break), I've been sawing, hammering, soldiering, cutting, trimming, bending, firing, quenching, rolling and stretching with metal!!!

According to my teacher, it's essential to master this old skill because in jewelry making. It's good to know as many techniques as it allows you flexibility in manupilating the metal to your heart's desire.

Hence in this 5 lessons, I'll be combining as many different texture & technique of silversmithing into making this ultimate necklace. Here's the work-in-progress picture : )

Tuesday, October 6, 2009

Private Assignment 004 : Couple rings for P & YH

Without further delay...here's the beauties

pyh ring2

pyh ring3

pyh ring4

Thanks for your wonderful compliments. I'm glad Ms P loves it.

Private Assignment 003.3 - Pendent for mum

mum's necklace final
After much effort and struggle, this ultimate pendent is finally completed. I've given an ultra shine surface to the leaf like panel and a satin brush texture on the other. This pendent has received plenty of good comments from my jewelry classmates and teacher. But sadly the most important person, my mum does not like it. She complained it's too big for her and would like a smaller pendent instead. Mission failed! Guess it's different stroke for different folks.

Now I'll have to remove the crystal beads (which belongs to my mum) and alter it with other semi-precious stone or pearl. Hopefully someday the pendent will find it's fateful owner......

Friday, October 2, 2009

Another jewelry designer whom I've always admire...Elsa Peretti

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This is a beautiful portrait of Elsa shot by Martyn Thompson (An equally talented photographer who's stunning picture always look effortlessly shot but filled with emotions). Elsa Peretti was born in Florence, Italy, the daughter of a well-to-do Roman family. Educated at Volbicela School in Rome, with a diploma in interior design. She moved to New York in the 1960s, where she began designing jewelry for a handful of top designers, including Halston, Oscar de la Renta, Giorgio di Sant'Angelo and Tiffany.

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I love her simple organic style. And her creations are always understated and timeless : )

Thursday, October 1, 2009

Private Assignment 003.2 - Pendent for mum

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After much consideration and comments from loyal fans. I've decided to proceed with the sculptural pendent. Guess what?! This unique design was inspired by PEAS : p

Thursday, September 24, 2009

Private Assignment 003.1 - Pendent for mum

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After looking at the previous creation for my mum, I'm having second thoughts. The earlier pendent maybe too bold for her liking, so I decided to make another.

Guess...I'm still a novice at this. The silver clay kept drying up before I could even shape the curvous hollow plus the leave-like flap on the right was almost impossible to create. After wrestling with it for the longest time, I've decided to create with cork clay instead. As with the bulkier cork, I'll have to simplify the design. Now I have to wait for the mold to dry completely before I can apply the silver clay paste over.

What do you all, fans of Little Li think of the second design verses the first? Your honest opinion is most welcome : )

Wednesday, September 23, 2009

Personal Work 002 : Cuff Bracelet

cuff bracelet
I've always loved the bone cuff by Elsa Peretti from Tiffany & Co. But the last time I tried it on, the bone cuff does not rest well on my wrist. Sadly it's only available in one size. So now I'm totally determine and inspired to make my own personalized cuff bracelet. This will be my first attempt on a big item. If failed......a lot of silver will be wasted. To play safe, I'll bring this cork mold to my teacher Tanya for final inspection before making my other moves : p

Private Assignment 001 : Pendent for Little Li's mum!

mum's pendent1
Mum passed some citrine crystal beads over and asked me to make a pendent for her to wear with white-gold necklace. Hmmm......not an easy task since I've to make something not too funky to match her dress-style and yet uniquely different.

mum's pendent2
After doodling for a long while, I've finally decided on a free style wave-like structure. Initially I wanted a snake-like pendent but was afraid my mum may not like it. Hence I simplified the design further and now depending on how your wear it. Sometimes it's a dragon (my mum's born in the year of dragon) and other times, it's a sensual snake. Best of both worlds : )

Thursday, September 17, 2009

An early birthday present!

little li present
"Calder Jewelry" is a very beautiful & inspirational coffee-table book filled with stunning jewelry made by Alexander Calder. Mind you, this book's only for the heavy weights cos' it weighed more than 5 kg! Filled with lovely ideas and photographs taken with an artistic eye. It's a must-have for all jewelry lover!

Calder loved using honest industrial materials such as brass and steel wire to bent, twist, hammer and rivet in an immediate way of jewelry. Sure in his approach, Calder never succumbed to the many offers to edit his designs. Making jewelry was very personal for him and each piece exists as a unique artwork. Calder's one of the masters whom I admire! And thanks to my faithful supporter and friend Ms P. This early present comes in really handy. I'll be drown by inspirations, hopefully to emerge with great work in no time : )

I love the little drawing of me, wearing jewelry which I admire......many thanks : )

Monday, September 14, 2009

Carla Sorranzi the muse of Kris Ruhs......

muse carla1
...is forever stylish! Always seen in black or white armour. Carla seems to enjoy downplaying fashion to accentuate these exquisite jewelry handmade by Kris Ruhs. He's an multi-media artist who's work includes painting, sculpture, holloware, jewellery & furniture design. Kris is Carla's boyfriend & business partner. Both of them owned the stylish lifestyle store "10 Corso Como" in Milan, Italy. Kris Ruhs jewelry' simply stunning! So bold and sculptural! They are perfect for Carla Sorranzi! I'm so smitten and inspired!
muse carla2

Friday, September 11, 2009

Finally i've found a name for my jewellery creation......

Currently I'm learning the practical skills of making jewellery at JDMIS. They are the only school which allows flexibility of breaking up modules and customising course structure at your own pace. Best of all, they offer classes on weekend which's perfect for a busy working woman like me : p

I didn't realise it's such a joy to be learning something new which you are passionate about. So do stay tune, while I document my learning process...hopefully in no time, you will see my virgin jewellery pieces soon : )